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Early cinema, often dismissed as mere novelty or cheap entertainment, began to evolve rapidly in the early 20th century, with filmmakers pushing the boundaries of what was possible on screen. It was in this evolving landscape that a major newspaper took notice of the nascent art form. In 1909, a detailed report appeared in The New York Times, widely considered America's — and quite possibly the world's — first true film review, marking a significant step in the legitimization of the burgeoning art.
The subject of this landmark article was D.W. Griffith's "Pippa Passes." Griffith, a pioneering director whose innovative techniques would profoundly shape early filmmaking, adapted Robert Browning's dramatic poem for the screen, showcasing a more ambitious approach to storytelling than typically seen at the time. The Times' piece wasn't a critical appraisal in the modern sense, but rather a detailed account of the film's narrative and technical ambition, recognizing its serious dramatic intent and intricate plot.
This moment in 1909 was crucial. By dedicating column space to "Pippa Passes," the New York Times not only acknowledged the existence of narrative film beyond simple actualities but also began to treat it as a cultural product deserving of journalistic attention. It laid the groundwork for future film criticism, helping to establish cinema as a legitimate art form and an important aspect of public discourse, a role it continues to hold today.
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