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Before the launch of their own Apple Records, The Beatles' releases were handled by two different labels, a common practice for British artists at the time. In the United Kingdom, the band was signed to Parlophone, a subsidiary of the major record company EMI. Producer George Martin signed the group to the label in 1962, and Parlophone would go on to release all of the band's albums in the U.K. through *Sgt. Pepper's Lonely Hearts Club Band*. Interestingly, Parlophone was previously known more for its comedy and classical recordings rather than pop music.
In the United States, the situation was more complicated. EMI's American counterpart, Capitol Records, initially showed no interest in the band, doubting their commercial potential. This led to some of their earliest singles being licensed to smaller, independent labels like Vee-Jay and Swan. It wasn't until late 1963, with Beatlemania exploding in Britain and an appearance on "The Ed Sullivan Show" booked, that Capitol was pressured by EMI to begin releasing their music.
This trans-Atlantic difference resulted in a discography that can be confusing for fans. It was standard procedure for Capitol Records to reconfigure the British albums for the American market. U.S. versions often had fewer songs, different track listings, and included hit singles that were left off the U.K. albums. This practice of creating unique American albums continued until 1967, when releases like *Sgt. Pepper's* were made uniform across the globe.
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