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The art exhibition by Mona Hatoum, opening in January 2026 at Fondazione Prada in Milan, is titled "Over, Under and In Between." This evocative title directly reflects the artist's exploration of contemporary global turmoil and the inherent precariousness of human existence. The exhibition is a site-specific project, meaning it was conceived to interact intimately with the unique architectural characteristics of the Fondazione Prada's Cisterna building, a former alcohol distillery.
Within this distinctive setting, Hatoum presents three large-scale installations, each delving into fundamental elements of her artistic language: the web, the map, and the grid. One installation features a vast spider's web crafted from delicate, hand-blown glass spheres, suspended overhead, which simultaneously suggests entrapment and cosmic interconnectedness. Another work presents a world map made of thousands of translucent red glass balls, intentionally ignoring political borders and creating an unstable, shifting topography that highlights the fragility of our perceived geographies. The third installation, a towering kinetic structure of stacked metal cubes, mimics a building on the verge of collapse, embodying a continuous cycle of construction and destruction, resistance and fragility.
Mona Hatoum is renowned for her powerful and often unsettling works that challenge perceptions of home, displacement, and the body. Her art frequently transforms familiar objects and spaces into something disquieting, forcing viewers to confront uncomfortable truths. In "Over, Under and In Between," Hatoum uses these compelling installations to create a dialogue with the space and the viewer's physical experience, translating complex emotional and geopolitical dynamics into tangible, immersive encounters that resonate with the instability and tension of our current times.
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